Selected writing

Catalogue: Awkward angle of perception: Diana Copperwhite, Crooked Orbit, Kevin Kavanagh Gallery (June 1 – July 1 2017)

Review: Scissors Cut Paper Wrap Stone, Ormston House, Limerick: Paper Visual Art Journal, 26 April 2017

Catalogue: I Told You I Was Ill: Tamsin Snow and Sarah Tynan, Resort, Mermaid Arts Centre (10 March – 22 April 2017)

Essay: The Trace That’s Left in Us, Fallow Media (1 March 2017)

Catalogue: Dreams of Plastic Love: Caroline Doolin, Fault Bound Bodies, Project Arts Centre (10 Feb – 8 April 2017)

Review: Jaki Irvine, If the Ground Should Open…, IMMA, Dublin: Eyeline 86 (Spring 2017)

Essay: On our collective wet dream (2016): Paper Visual Art Journal 7 (October 2016)

Review: Robert Anderson, Laura Eldret, and Florian Roithmayr, Foreign ObjectsCentre for Contemporary Art Derry-Londonderry: this is tomorrow (September 2016)

Review: George Bolster & Damian Doyle, Amazement Insulates Us All/Memento Vivere, The Lab, Dublin: Enclave Review 14 (August 2016)

Essay: The Trouble with Being Bored (2016): Fallow Media, 21 June 2016

Catalogue: Metabolising the City: Cui Jie, Former, Latter, mother’s tankstation (25 May – 2 July 2016)

Essay: What’s the Use in Being a Writer? (2016): Critical Bastards no. 12 (May 2016)

Essay: Meme as Critique: On the Recent Practice of Metahaven (2016): Third Floor Graduate Journal, Montreal: Concordia University

Essay: Pretentiousness: Why it Matters (2016): Visual Artists News Sheet, May-June 2016

Catalogue: ‘fell again, bad show‘: Matt Sheridan Smith, Pilot Fig. 3 Ep.1, mother’s tankstation (24 February – 9 April 2016)

Paper: Who is Art Criticism For? (2016): Presented at ‘The Value of Criticism,’ Lewis Glucksman Gallery, Cork, 26th February 2016.

Review: Gretchen Bender Total Recall, Project Arts Centre, Dublin: this is tomorrow, December 2015

Review: Display Show, Temple Bar Gallery, Dublin (2015): Frieze no. 174, October 2015

Review: Eoin McHugh the skies will be friendlier then, Kerlin Gallery, Dublin: Blueprint; Paper Visual Art Journal, October 2015

Catalogue: David Lunney Glencree Intervention (2015): The Lab, Dublin, September 2015

Essay: The Pattern Exchange (2015): Temple Bar Gallery & Studios, March 2015

Essay: Attentive Festivalisation (2015): Visual Artists News Sheet, Jan-Feb 2015

CatalogueA Rethinking of Place (2014): Niamh O’ Malley, Douglas Hyde Gallery, Dublin

Review: Dennis McNulty Prototypes, Limerick City Gallery of Art (2014): this is tomorrow, available here

Book ChapterA Seductive Union (2013) in Caoimhe Doyle (ed.) Weaponising Speculation (2014) New York: Punctum Books

PaperWhat do I expect from art criticism? (2014) : Presented as part of the discussion of the same namewhich took place at Temple Bar Gallery and Studios on the occasion of Paper Visual Art Journal’s re-launch, in June 2014.

CatalogueKathy Tynan The Sky is All Changed (2014): Hendrons Collider, Dublin

Catalogue: Mother’s Annual 2013 (Essays on Mother’s tankstation, Dublin.

Catalogue: Interview with Gedi Sibony (2014): Douglas Hyde Gallery, Dublin.

Review: Sam Keogh Mop, Kerlin Gallery, Dublin (2013): Enclave Review 9

Review: Frances Upritchard, Mandrake, Douglas Hyde Gallery, Dublin (2013), available here

Review: Aleana Egan The Sensitive Plant, Kerlin Gallery, Dublin (2013): Paper Visual Art Journal: Dublin Edition.

Essay: The Iterable Gesture (2013): Das SuperPaper, Melbourne, Australia, in conjunction with curators SuperKaleidoscope (eds). The full edition is available in PDF form here.

CatalogueApproaching the Rotunda, for exhibition ‘Cloud Illusions I recall’ (2013): Irish Museum of Modern Art, Dublin.

Review: Mark Clare The Two Horns of Phaedrus, Crawford Art Gallery, Cork (2012), Paper Visual Art Journal: Cork Edition.

CatalogueAn Object Among Others (2013): Published in the artist Barbara Knezevic’s publication ‘Object Registry’.

EssayRegarding Olympia’s cat: Aesthetic Genetics and the Art Genome Project™ (2012): Paper Visual Art Journal: Limerick Edition.

Paper: Untitled (2012): Presented as part of the debate Autonomous Practices, Autonomous Objects, Autonomous Institutions, which took place at NCAD in the context of Sarah Pierce’s exhibition ‘Towards a Newer Laocoon’.

ReviewMairead O’hEocha The Sky was Yellow and the Sun was Blue, mother’s tankstation, Dublin (2012), Paper Visual Art Journal, Dublin.

Catalogue: Not this, not that (2012): Published in the artist Fergus Feehily’s publication ‘Into the Garden’.

Essay: Holding on to your Shadow (2011): Published in Sean O’ Sullivan (ed.) ‘The Wheel’.

Essay: Faith in Failure (2010): Published in Padraic E. Moore (ed.) ‘Investigations into the Super-Physical’ (Cork Art Trail, November 2010), pp. 8 -10